As part of the Post-Human International Alternative Art Conclave in Odisha, India, this performance explored the profound connection between linguistic authenticity, human expression, and existence in the Anthropocene era. It sought to uncover the purity of regional languages as a raw and unfiltered medium for cultural articulation, emphasizing their significance in a rapidly homogenizing world.The performance centered on the idea that when individuals communicate in their regional languages—be it through spoken words, written scripts, or oral sounds akin to early human expression—they convey their thoughts and emotions in the most authentic and unadulterated form. This notion of linguistic and cultural authenticity formed the foundation of the work, offering a reflection on the diverse ways human existence manifests through language and gesture.The first phase involved the screening of documented clips capturing individuals expressing themselves in their native tongues. These clips—featuring local songs, poems, and other culturally significant oral expressions—were slowed down to remove sound, drawing attention to the body and oral gestures of the speakers. This silence amplified the universal language of movement and expression, creating a visual narrative of human authenticity.In parallel, the original soundtracks of these clips were reimagined into a multilingual soundscape. This audio composition wove together the Essence of various regional languages, presenting their unique cultural contexts while celebrating their collective harmony.In the second phase, the audience became active participants in the performance. They were invited to write words, phrases, or symbols in their regional languages on the performer’s body using kajal, a traditional black cosmetic with protective and spiritual connotations in Indian culture. The use of kajal symbolized the safeguarding of linguistic purity.